Portishead - Dummy

Barcode: 602537972050
Regular price $38.99
Format
Product details
  • SKU 31471502
  • Barcode 602537972050
  • Genre Downtempo, Trip Hop
  • Label Go! Beat
  • Condition
    • New

One of the most stunning debut albums of the 1990s, and a record that captured the zeitgeist of its moment more completely than almost anything else released that decade. Originally released on August 22, 1994 by Go! Beat Records, Dummy emerged from the Bristol music scene that had already given the world Massive Attack and Tricky, but pushed the sound into entirely new and deeply personal territory that proved impossible to categorize and even harder to forget.

Geoff Barrow had spent years as a recording studio worker on the edge of the Bristol scene, absorbing hip-hop, film soundtrack atmospherics, jazz, funk, and soul before teaming with ethereal singer Beth Gibbons and guitarist Adrian Utley to create something that arrived, as one critic put it, almost out of the blue. Gibbons brought a swirling, folk-inflected vocal style of devastating fragility and power to Barrow's sample-heavy crate-digger production, every loop and texture drawn from an eclectic collection of underappreciated records spanning jazz, Berlin cabaret songs, soundtrack music, and beyond. The result was irresistibly intimate and stylistically impossible to pin down, a perfect meditation on loneliness, desire, and the narcotizing power of the night.

The album won the 1995 Mercury Music Prize and is widely credited with bringing trip-hop to a mainstream audience, crossing over from club culture to an indie audience in a way that none of its contemporaries had managed. "Sour Times," "Glory Box," and "Numb" remain three of the most recognized and beloved recordings of the decade, and the dub-influenced, room-shaking bass of "Strangers" and "Wandering Star" is a reminder that this was never merely background music, whatever its reputation as such might suggest.

Rolling Stone ranked it among the 500 greatest albums of all time. It helped set the stage for The xx, James Blake, and a generation of artists working at the intersection of electronic production and deeply felt songwriting. Thirty years on, Dummy reassembles itself with every listen and becomes something new each time.