{"title":"Clearance - 35% Off","description":"\u003cp\u003eOverstock titles reduced 35%. Discount applies automatically at checkout.\u003c\/p\u003e","products":[{"product_id":"embrace-embrace","title":"Embrace - Embrace","description":"\u003cdiv\u003eFaith\u003cspan\u003e and \u003c\/span\u003eMinor Threat\u003cspan\u003e broke up within months of each other in 1983. During 1983\/84 there was a general malaise in the Washington D.C. hardcore scene, which saw a lot of the founding bands and scene makers move to the sidelines as shows became increasingly violent and the attitude became increasingly mainstream.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the summer of '85 there was renewed spirit in D.C., often referred to as \"Revolution Summer.\" This \"Revolution Summer\" included a handful of bands that preferred smaller more intimate venues and focused on a more personal and introspective interpretation of punk rock. Embrace, which was formed by ex-Minor Threat member Ian MacKaye and three of the former members of Faith, was part of this renewal. The band played shows from the summer of 1985 until the spring of ’86. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis album was originally released on LP in 1987 and on CD\/Cassette around 1990. The CD was remastered by Chad Clark at Silver Sonya in 2002 and was re-released with alternate out takes of \"Money\" and \"Dance of Days\" culled from the original recordings.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Dischord","offers":[{"title":"Vinyl [Gold]","offer_id":44591403073698,"sku":"30382637","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/Embrace-front.jpg?v=1717294789"},{"product_id":"q-and-not-u-no-kill-no-beep-beep","title":"Q And Not U - No Kill No Beep Beep","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp data-start=\"28\" data-end=\"446\"\u003eNo Kill No Beep Beep is the electrifying debut full-length from Q and Not U, released in 2000. Bursting with sharp rhythms and restless creative energy, the album captures the band at a pivotal early moment as they forged a fresh, kinetic sound within the Washington D.C. punk community. Its jagged guitars, driving bass lines, and dynamic vocal interplay laid the groundwork for the adventurous records that followed.\u003c\/p\u003e\n\u003cp data-start=\"28\" data-end=\"446\"\u003eChris Richards: guitar, vocals\u003cbr data-start=\"489\" data-end=\"492\" data-is-only-node=\"\"\u003eHarris Klahr: guitar, vocals\u003cbr data-start=\"520\" data-end=\"523\"\u003eMatt Borlik: bass, vocals\u003cbr data-start=\"548\" data-end=\"551\"\u003eJohn Davis: drums, vocals\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Dischord","offers":[{"title":"Vinyl","offer_id":44591717384354,"sku":"DIS123V","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/QAndNotU-Beep-front.jpg?v=1717307587"},{"product_id":"the-rapture-echoes","title":"The Rapture - Echoes","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003eEchoes is the debut full-length studio album by American rock band the Rapture. It was released on September 8, 2003, by DFA.\u003c\/p\u003e\n\u003cp\u003e The album that, in many ways, started it all. Repressed for the first time since its release in 2003. Produced by James Murphy and Tim Goldsworthy for the DFA. Pressed at Citizen Vinyl in Asheville, NC from lacquers cut by Bob Weston at Chicago Mastering Service.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xgkIDKyEP0I?si=_2Wk2qYGGgVP9e9j\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Secretly","offers":[{"title":"Vinyl","offer_id":44657410113698,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/Rapture-Echo.jpg?v=1718846626"},{"product_id":"the-cult-electric","title":"The Cult - Electric","description":"\u003cp\u003eElectric, their third album, came out in 1987 and caused the band to explode to new levels of fame. It contains the massive hits “Love Removal Machine”, Wild Flower” and “Lil’ Devil” and was produced by Rick Rubin. A seminal work, the album features some of the band’s most iconic songs. It is a departure from the band’s previous work, with a raw, aggressive and stripped-down sound. The album’s opening track, “Wild Flower,” sets the tone with its pounding drums, blistering guitar riffs, and Ian Astbury’s powerful vocals.\u003cbr\u003e\u003cbr\u003eElectric was a commercial and critical success, propelling The Cult to the forefront of the hard rock scene and cementing their status as one of the most influential bands of the era. The album remains a touchstone for hard rock and heavy metal fans, a classic work that captures the spirit of rebellion and the power of rock and roll.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Matador Direct","offers":[{"title":"Vinyl [Blue]","offer_id":44781483589794,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/341126-2.jpg?v=1743984433"},{"product_id":"curse-mackey-immoral-emporium","title":"Curse Mackey - Immoral Emporium","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp dir=\"ltr\"\u003eCurse Mackey is an Austin fixture and a lifer in American industrial music, having lent his hands to Pigface and My Life with the Thrill Kill Kult and founded the San Antonio outfit Evil Mothers. Immoral Emporium is the anticipated follow-up to his 2019 solo debut Instant Exorcism, and it is the sound of a veteran stepping fully into the spotlight. Two years in the making during the pandemic, this album sees Curse taking it to a new level in production, lyrics and emotion, channeling that long isolation into one of the most assured darkwave records of its year.\u003cspan data-state=\"closed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe album prowls the shadowed border between goth, industrial, and EBM, but it is built to move bodies as much as haunt them. It slides into poppy, upbeat club territory on the earworm \"Dead Fingers Talk,\" a cut tailor-made for the goth and industrial dancefloor, while the title track and \"The Reveal\" lean into Mackey's theatrical, storytelling side. Throughout, the production runs on monstrous synths, cavernous atmosphere, and hard-won feeling.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe record's biggest moments are its most cathartic. \"Omens and Monuments\" builds toward a goosebump-inducing, synth-drenched climax that leaves the whole album pointed hopefully at the future. Little wonder that one of the scene's leading magazines crowned it the year's number one industrial and EBM release. Fans of the darker, danceable end of the spectrum will find plenty here to obsess over.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eReleased on Negative Gain Productions, this LP brings a modern darkwave standout to vinyl, pressed for the club and the candlelit bedroom alike. An essential pickup for anyone who lives where the goth and industrial worlds meet.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MVD","offers":[{"title":"Vinyl","offer_id":44827400929442,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/CurseMackey.jpg?v=1722998120"},{"product_id":"sonic-youth-confusion-is-sex","title":"Sonic Youth - Confusion Is Sex","description":"\u003cp\u003eOriginally slated to be a seven-inch single to follow up their self-titled debut, Sonic Youth 's Confusion Is Sex blossomed into the band's first album: a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City: nothing like London where punks were starting to scrub their faces and sounds to get on Top of the Pops, and nothing like the jangly roots of college radio rock starting to formulate in Athens, Georgia. It sounded like no one else on Earth, for that matter. The raw, Wharton Tiers 8-track production is dark, the Kim Gordon-scrawled cover figure art of Thurston Moore is dark, Lee Ranaldo 's back cover photo-collage and Catherine Ceresole 's crumpled-xeroxed images that adorned the inside are dark. It's an album that moves Sonic Youth forward from their first EP almost by devolving backwards into true ugly, lo-fi primitivity. The bare-boned arsenal of junkpile guitars and implementation of alternate tunings was growing, and so were the songs that matched the individual attributes of each instrument: certain ones groan and growl a specific way that the band started to realize itself could become the compositional germ of a song. Herein is the threshold of a new explosion of the band's creativity, replacing the comparatively cleaner buzz of the Sonic Youth EP with guitars that spew fractured, uglier chunks of sound everywhere, held down by menacing minimalist basslines and the brutal-yet-controlled metronomic drumming. While it's confrontationalism might have put off some critics, time has rewarded Confusion with a truly distinctive air and atmosphere in the Sonic discography, enough to have Moore declare it his fave along with the band's swan-song The Eternal.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":44830665998498,"sku":null,"price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/SonicYouth-Confusion.jpg?v=1723088560"},{"product_id":"thievery-corporation-sounds-from-the-thievery-hi-fi","title":"Thievery Corporation - Sounds From The Thievery Hi-Fi","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eBefore Thievery Corporation became one of electronic music's most reliable names, they were two DJs in Washington, DC, building something that didn't have a clean label yet. \u003cem\u003eSounds from the Thievery Hi-Fi\u003c\/em\u003e, their debut, arrived in Germany in 1996 and stateside on ESL Music in 1997, right as the term \"trip-hop\" was still settling into the music press. Eric Hilton and Rob Garza took that loose, dub-influenced strain of alt-rock-era electronica and ran it through a lounge and acid-jazz filter, landing on something that felt both laid-back and genuinely new.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe album moves between moods without ever losing its cool, smoky throughline. \"Shaolin Satellite\" remains the record's signature cut, a hazy, dub-soaked centerpiece that set the tone for everything Thievery would build afterward. Pam Bricker and Bebel Gilberto contribute vocals elsewhere on the record, which the duo dedicated to bossa nova pioneer Antonio Carlos Jobim, a tribute that makes sense given how much Brazilian rhythm runs underneath the album's dub and jazz instincts. It's a record that blends folk, electronic, and lounge influences into something approachable rather than academic, music made for a room full of different tastes rather than any one scene.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis remastered edition gives the album a cleaner, fuller sound while keeping its low-lit character intact, and adds \"Sun, Moon, and Stars\" and \"Sleeper Car\" as bonus tracks. For a debut that quietly helped define an entire sound before that sound had a name, this is the way to hear it now.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hn-HExmPKUA?si=11Er16DDVBwL9RSF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":44834779300002,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/ThieveryCorp-Sounds.jpg?v=1723258783"},{"product_id":"cold-cave-love-comes-close","title":"Cold Cave - Love Comes Close","description":"\u003cp\u003e\u003cspan class=\"il\"\u003e\u003cstrong\u003ePressed on 180 gram vinyl. \u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"il\"\u003e\u003cstrong\u003eAvailable on limited Red \u0026amp; White Butterfly vinyl.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eLove Comes Close\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the debut full length from Cold Cave. Written and recorded in Philadelphia in 2008-09, the album was released by Heartworm Press and then re-released by Matador Records just as the band was beginning its foray into cult status.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLate night bedroom dark anthems for isolated dreamers with nods to the early years of synth pop and experimentation ala The Human League, Throbbing Gristle and New Order. Along with the title track, songs like \"Life Magazine\", \"Heaven Was Full\" and \"Youth and Lust\" went on to become live staples with their equal measures of romance and nihilism. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRemastered and cut by Bob Weston at Chicago Mastering Service. \u003c\/p\u003e\n\u003c!----\u003e","brand":"Heartworm Press","offers":[{"title":"Vinyl [Red \u0026 White Butterfly]","offer_id":44852623900834,"sku":null,"price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/ColdCave-LoveComesClose.jpg?v=1724117901"},{"product_id":"butthole-surfers-hairway-to-steven","title":"Butthole Surfers - Hairway To Steven","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003eThe second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’\u003c\/p\u003e\n\u003cp\u003eThe period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole province of hallucingen-soaked punk rock freaks. By 1988 they had toured Europe, had records licensed internationally, and bought a house in Driftwood Texas to serve as their home base. But we’re getting ahead of ourselves.\u003c\/p\u003e\n\u003cp\u003e ‘Hairway to Steven’ is a blast, ranging from the blood-smeared guitar-overload of “Jimi” to the acoustic guitar-based sing-along sweetness of “I Saw an X-Ray of a Girl Passing Gas” to the Fugs-like ranting of “John E. Smokes.” Yet somehow, the album managed to get the straight media to actually notice. For all its strangeness, ‘Hairway’ got rave notices in places that had never paid the band any attention previously. It was the Buttholes’ last album of the ‘80s and marks the beginning of their ascendance into something akin to commercial success. Not that the band actually imagined anything at all like that occurring.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Matador Direct","offers":[{"title":"Vinyl","offer_id":44925921984674,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/ButtholeSurfers-Hairway.jpg?v=1722531969"},{"product_id":"preorder-plateau-kushbush","title":"platEAU - Kushbush","description":"\u003ch3 itemprop=\"description\"\u003ePlatEAU's 2007 album Kushbush is a psychedelic, dub-infused journey, blending ambient soundscapes with deep bass.\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003ePlatEAU's 2007 album Kushbush is a psychedelic, dub-infused journey, blending ambient soundscapes with deep bass. Led by cEvin Key (Skinny Puppy) and Phil Western, it explores altered states through lush synths, hypnotic rhythms, and distorted samples. This double LP, pressed on green vinyl, captures the duo's unique fusion of industrial and chillout music, creating a trippy, immersive experience.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"MVD","offers":[{"title":"Vinyl [Green]","offer_id":45022717247650,"sku":null,"price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/AOF447LP.jpg?v=1729819383"},{"product_id":"the-russian-white-funeral-art","title":"The Russian White - Funeral Art","description":"\u003ch3 itemprop=\"description\"\u003eThe Russian White take elements of post-punk, synthwave, witch house, and other genres to create a soundtrack reminiscent of an 80s stalker flick.\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eReading, PA's The Russian White joins Distortion Productions for their new album Funeral Art. Boasting mixing and production work from Tim Heireth of silver walks, vocalist Tom Rhymer says \"I feel like this is our most pure TRW album where Mike and I didn't have to make any compromises. We have a good mix of club bangers and cinematic and emotional tracks here.\" Having recently booked them on their most recent tour with labelmates, silver walks and North Carolina's Solemn Shapes, Distortion owner Jim Semonik was blown away by their live show!! \"I was fortunate to know Tom for a while, having them as part of Electronic Saviors Vol.6 was awesome. I love their show and they are really fun guys!\" The Russian White is a dark electronic and deathwave project hailing from Pennsylvania in the United States. The Russian White take elements of post-punk, synthwave, witch house, and other underground genres to create a soundtrack reminiscent of an 80s stalker flick. Electronic beats, haunting atmospheres, shimmering effects, and lush vocals meet with stories of obsession, beauty, and the unknown.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rQqTX6sOQy0?si=ekIJLPuaRJciAGdY\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MVD","offers":[{"title":"Vinyl [Pink]","offer_id":45038730838178,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/TheRussianWhite.jpg?v=1730341551"},{"product_id":"buffalo-tom-big-red-letter-day","title":"Buffalo Tom - Big Red Letter Day","description":"\u003cp\u003eBuffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1984 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. The three longstanding bandmates recognize the achievement of their longevity as a creative unit. Initially offering a raw, propulsive sound that emphasized Janovitz’s imposing guitar squall, Buffalo Tom’s early approach gave way to a more melodic, yet no less distinctive, style. They have released ten studio albums and their most recent, Jump Rope, was released earlier this year.\u003c\/p\u003e\n\u003cp\u003eReleased in 1993, Big Red Letter Day found the band doing what they do very well indeed, but with more body and gloss to the production. The album was recorded in LA by The Robb Brothers and features numerous favorites, in particular: “Sodajerk”, “I’m Allowed”, “Treehouse” and the classic “Late At Night.”\u003c\/p\u003e\n\u003c!----\u003e","brand":"Matador Direct","offers":[{"title":"Vinyl","offer_id":45059284435106,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/BuffaloTom-BigRedLetterDay.jpg?v=1731123066"},{"product_id":"buffalo-tom-let-me-come-over","title":"Buffalo Tom - Let Me Come Over","description":"\u003cp\u003eBuffalo Tom (Bill Janovitz, Chris Colbourn and Tom Maginnis) formed at the University of Massachusetts at Amherst in 1984 - a breeding ground of post punk guitar bands like Dinosaur Jr. and Pixies. The three longstanding bandmates recognize the achievement of their longevity as a creative unit. Initially offering a raw, propulsive sound that emphasized Janovitz’s imposing guitar squall, Buffalo Tom’s early approach gave way to a more melodic, yet no less distinctive, style. They have released ten studio albums and their most recent, Jump Rope, was released earlier this year.\u003c\/p\u003e\n\u003cp\u003eIn 1992 the band recorded their third album Let Me Come Over with a varied group of songs they had been developing at home and on the road - mixing their live power trio sound with some more acoustic based guitar ballads. The album’s single “Taillights Fade” became their signature song. \u003c\/p\u003e\n\u003c!----\u003e","brand":"Matador Direct","offers":[{"title":"Vinyl","offer_id":45059292037282,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/BuffaloTom-LetMeComeOver.jpg?v=1731123589"},{"product_id":"big-country-the-seer","title":"Big Country - The Seer","description":"\u003cp\u003eFormed by ex-Skids guitarist Stuart Adamson in 1981 with old friend Bruce Watson and, from 1982, rhythm section Tony Butler and Mark Brzezicki, Big Country proved a fascinating proposition, adding punk, new wave and even new romantic elements to heavy, meaning-laden pop\/rock with a passionate Celtic slant and fierce integrity. Using effects, Adamson and Watson's chiming guitars evoked traditional Scottish instruments. This was unique and proved highly influential. Within a year of their first release, many existing bands began to emulate the group's sound. Nobody achieved it quite like Big Country. The Seer, released in 1986, contained the group's biggest UK hit single, Look Away, a glorious arms- in- the- air 80s rock anthem. As if to underline quite how highly regarded Big Country had become, Kate Bush - not one known to offer her services lightly - guests on the album's title track. The melody- rich album - which reached No. 2 in the UK charts and made the Billboard Top 60 - produced by Robin Millar, explores Scottish history, and demonstrates quite how Stuart Adamson had matured as a songwriter.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45068579864738,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/BigCountry-Seer.jpg?v=1731547630"},{"product_id":"the-sugarcubes-here-today-tomorrow-next-week","title":"The Sugarcubes - Here Today, Tomorrow, Next Week!","description":"\u003cp\u003eEmerging from the ashes of K.U.K.L., The Sugarcubes signed to One Little Indian in 1987. Fronted by Björk and Einar Örn Benediktsson, they gained international renown for the unique sound they cultivated, garnering fans such as luminary John Peel, achieving unprecedented success for an Icelandic band at the time and influencing the country's music scene dramatically.\u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45068650807458,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/Sugarcubes.jpg?v=1731551392"},{"product_id":"angus-julia-stone-cape-forestier","title":"Angus \u0026 Julia Stone - Cape Forestier [Indie Exclusive, Orange]","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp data-start=\"130\" data-end=\"583\"\u003e\u003cem data-start=\"130\" data-end=\"146\"\u003eCape Forestier\u003c\/em\u003e holds a deeply special place in our hearts—it's another chapter in the ever-evolving story of the road we’re traveling together. In many ways, it echoes the spirit of our earlier records, with a stripped-back, acoustic rawness that feels both familiar and grounding. At the same time, the songwriting and performances reflect who we are now—shaped by years of growth, change, and the branches of experience we’ve gathered along the way.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"816\"\u003eCreating this album has been an incredible journey. Writing and recording these songs together brought us closer to the core of what we love about making music. We couldn’t be more excited to finally share this collection with you.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45125698289826,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/AngusJuliaStone-Cape.jpg?v=1734057251"},{"product_id":"skinny-puppy-vivisectvi","title":"Skinny Puppy - VIVIsectVI","description":"\u003cp data-start=\"0\" data-end=\"379\"\u003eReleased in 1988, \u003cem data-start=\"18\" data-end=\"30\"\u003eVIVIsectVI\u003c\/em\u003e (pronounced “vivisect six”) stands as a pivotal album in Skinny Puppy’s discography and a landmark in the evolution of industrial music. Fierce, uncompromising, and deeply political, the Canadian electro-industrial pioneers used this fourth studio album to take aim at animal cruelty, environmental degradation, and the horrors of chemical warfare.\u003c\/p\u003e\n\u003cp data-start=\"381\" data-end=\"754\"\u003eBlending their abrasive, sample-saturated production with a newly refined sonic clarity, \u003cem data-start=\"470\" data-end=\"482\"\u003eVIVIsectVI\u003c\/em\u003e sharpened Skinny Puppy’s sound into something even more impactful. Tracks like “Censor” (originally titled “Dogshit”) and “Testure”—their only song to chart on Billboard’s Dance Club Songs—delivered searing messages wrapped in nightmarish beats and distorted electronics.\u003c\/p\u003e\n\u003cp data-start=\"756\" data-end=\"1085\"\u003eCritically acclaimed and widely considered one of the band’s finest works, the album also laid the groundwork for Skinny Puppy's theatrical, multimedia-heavy live shows. Their supporting tour featured a then-unknown Nine Inch Nails as the opening act, underscoring the album’s influence on a new generation of industrial artists.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1240\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUnflinching in both its subject matter and sonic attack, \u003cem data-start=\"1144\" data-end=\"1156\"\u003eVIVIsectVI\u003c\/em\u003e remains a defining release—not just for Skinny Puppy, but for the genre as a whole.\u003c\/p\u003e\n\u003cp data-start=\"1087\" data-end=\"1240\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fLm9mhh7gvg?si=emmEPGhMiBtcyE86\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45125739675810,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/SkinnyPuppyV.jpg?v=1734058721"},{"product_id":"spiritualized-pure-phase","title":"Spiritualized - Pure Phase","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003ePure Phase is the second album by Spiritualized, originally released on 28 March 1995. The album was recorded in the Moles Studio in Bath, England and features contributions from The Balanescu Quartet.\u003c\/p\u003e\n\u003cp\u003eAt the time of release, Pierce had renamed the band as \"Spiritualized Electric Mainline\", the name that appears on the album cover, before reverting to the Spiritualized name shortly afterwards.\u003c\/p\u003e\n\u003cp\u003ePure Phase showcases both a more symphonic sound as well as a dreamy rock grandeur. Think of Brian Wilson and La Monte Young recording together and you'll have a good idea of the Spiritualized totality. Pure Phase is both beautiful and innovative; more than just psychedelic, it's celestial.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum","offers":[{"title":"Vinyl","offer_id":45212871590050,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/Spiritualized-PurePhase.webp?v=1738112816"},{"product_id":"revolutionaries-burning-dub","title":"Revolutionaries - Burning Dub","description":"\u003cmain id=\"MainContent\" role=\"main\"\u003e\n\u003cdiv id=\"shopify-section-template--18505721446658__main\"\u003e\n\u003csection data-product-modal=\"false\" data-enable-image-zoom=\"false\" data-enable-history-state=\"true\" data-section-type=\"product\" data-product-handle=\"denise-sherwood-this-road\" data-alpine-id=\"template_18505721446658__main\" data-section-id=\"template--18505721446658__main\" data-color-scheme=\"primary\"\u003e\n\u003cdiv data-fade-in=\"\"\u003e\n\u003cdiv data-fade-in=\"\"\u003e\n\u003cp\u003e\u003cspan\u003eRemastered 1979 dub set from the Revolutionaries, featuring Sly and Robbie and focusing on Junior English productions from Channel One Studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\u003c!----\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45229280854178,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/3311917.jpg?v=1738730137"},{"product_id":"spiritualized-sweet-heart-sweet-light","title":"Spiritualized - Sweet Heart Sweet Light","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003e\u003cspan\u003ePierce is still using large orchestras and choirs to take his Robert Johnson blues way past the crossroads, to vistas that are as endless as they are empty. He's still singing his own rock'n'roll gospel: Jesus, fast cars, girls named Jane and Mary, pimps, death, fire, freedom, and God all show up, giving life to Pierce's alternate-universe Eden, inhabited by Lou Reed, Iggy Pop, self-loathing, and a spitty syringe. He's still his own genre-- this tiny voice elevated by the super-church-sized arrangements in his head. \"I want to make music that catches all the glory and beauty and magnificence, but also the intimacy and fragility, all within the space of the same 10 seconds,\" Pierce has said. It's a mad goal. But it's also an inherently intriguing and universal one, just as ancient myths or Biblical tales can be. Pierce isn't religious, but he uses Christian language and figures as a thematic shorthand. \"As you have a conversation about Jesus, you know you're talking to him about how it is to be fallible and question yourself and your morals,\" he told me. \"When I sing, 'Help me, Jesus,' you know I'm not asking for help fixing the fucking car.\" Such an all-or-nothing attitude is risky, but that's the whole point.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePierce mixed Sweet Heart over eight drawn-out months under something of a drug-induced stupor. But it wasn't the kind of drug-induced stupor Pierce is known for. At the time, he was being hit with experimental chemotherapy treatments to combat a degenerative liver disease. (Three doctors are thanked in the liner notes; Pierce is apparently OK now.) During this album's creation, the singer referred to it as Huh?-- a nod to his jumbled mental state. All of which would make one assume that Sweet Heart would be messy, fucked-up, and completely depressing. That is not the case. This is probably the most uplifting album of his career.- Ryan Dombal Pitchfork.com 8.8\/10\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum","offers":[{"title":"Vinyl","offer_id":45236660306082,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/Spiritualized-SweetHeartSweetLight.webp?v=1738901772"},{"product_id":"spiritualized-everything-was-beautiful","title":"Spiritualized - Everything Was Beautiful","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003eAll these layers, all these details, the year-long mixes, the making sense of it all and the lives lived within these lyrics; for somebody so famously unconfident of his own abilities, isn't this a punishing thing to keep doing? “Yeah, but I like what I do. There’s a line from Jonathan Meades that’s about having all the attributes to being an artist. ‘Paranoia, vanity, selfishness, egotism, sycophancy, resentment, moral nullity and more idiot than idiot savant.’ “And that's what it feels like, this kind of thing. You’re your own worst enemy and biggest supporter. “There's a ‘Of course this is worth it. It's me’ and then this kind of deep doubt of ‘What the fuck is this all about?’ “And then ‘Why is it important?’ and then knowing there's no easy answer. But it's there. I know it's there.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum","offers":[{"title":"Vinyl","offer_id":45236672168098,"sku":null,"price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/Spiritualized-EverythingWasBeautiful.webp?v=1738902354"},{"product_id":"zzzahara-spiral-your-way-out","title":"Zzzahara - Spiral Your Way Out","description":"\u003cp\u003e\"I decided to just let myself go,\" zzzahara says of their new record, 'Spiral Your Way Out'. \"I think I finally came to this acceptance that I don't have to be perfect. I want to be a good role model to my fans and stuff like that, but I also don't want to hide who I am.\"\u003c\/p\u003e\n\u003cp\u003ezzzahara's music wades into the deep waters of love, lust, and self-discovery in a part of the world where artifice and authenticity co-exist. Emerging from the heart of LA's alternative music scene, their sound is raw in feeling and rebellious by nature. Their 2022 debut album, Liminal Spaces, chronicles a coming-of-age in Highland Park, following painful childhood memories through to late-night, live-fast coping mechanisms, and the changes the neighbourhood has endured over the same period of time. Their 2023 follow-up, Tender, marked a period of slowing down, looking inward, and embracing a softer side of being. 'Spiral Your Way Out' sees zzzahara evolve again. Emotionally, it's foundations are built on scorched earth. The album finds zzzahara in the aftermath of a relationship spent trying to fit someone else's mould, being jerked around by indecision, and then hitting \"emotional rock bottom.\" Made in a three-month burst that let all their pent-up frustrations loose, 'Spiral Your Way Out' is in part a work of self-reclamation, swapping there 2nd album Tender's meditative state for something fiery and more assertive. The new album marks another sonic evolution as much as an emotional one. zzzahara's songs have always come wrapped in a warm glow that reflects how they were written - namely at home in their bedroom. That glow remains on 'Spiral Your Way Out', but it also packs an ambitious streak and a gutsy punch. Taking a more collaborative approach than usual, zzzahara worked with a range of producers including Jorge Elbrecht (Japanese Breakfast, No Joy, Sky Ferreira), Sarah Tudzin (boygenius \/ Cloud Nothings \/ The Armed), former Ducktails guitarist Alex Craig (Jelani Aryeh \/ re6ce) and Halsey tour drummer Franco Reid, who helped harness their intimate style of writing and blow it up into something more panoptic. After a year of upheaval, zzzahara finally feels \"calm.\" The musical equivalent to going several rounds on a punching bag, 'Spiral Your Way Out' finds solace between extremes. It licks it's wounds in a place where pain and love, healing and abandon, sit side-by-side. If it has a message, it's one of standing tall in your own shoes - scuffs and all.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ItG5L_PjTJ4?si=jvmKhaGN2pSTLU9C\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Secretly","offers":[{"title":"Vinyl","offer_id":45247947636898,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/zzzahara-SpiralYourWayOut.webp?v=1739251861"},{"product_id":"de-la-soul-buhloone-mind-state","title":"De La Soul - Buhloone Mind State","description":"\u003cdiv\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003eThe most underappreciated album in one of hip-hop's greatest catalogs, and for a devoted contingent of listeners the finest record De La Soul ever made. Released on September 21, 1993, Buhloone Mindstate is the third studio album from Posdnuos, Trugoy the Dove, and Maseo, and the last to feature production from Prince Paul, whose partnership with the group had defined their first three records. The title, a phonetic spelling of \"balloon,\" carried its own thesis statement: as Posdnuos described it, we might blow up, but we won't go pop. The album opens with exactly that chant, and then proceeds to prove it across one of the most jazzily adventurous and lyrically dense hip-hop records of its era.\u003c\/p\u003e\n\u003cp\u003eWhere De La Soul Is Dead had been sprawling and deliberately chaotic, Buhloone Mindstate is focused, lean, and considerably more ambitious sonically. The group pushed deeper into jazz territory than they had on any previous release, and the collaborators they enlisted were extraordinary. Maceo Parker, Fred Wesley, and Pee Wee Ellis, all formative members of James Brown's legendary backing band the JBs, appear on \"Patti Dooke\" alongside Gang Starr's Guru, creating one of the most genuinely stunning intersections of jazz and hip-hop the golden era ever produced. \"I Be Blowin'\" hands the entire track to Maceo Parker for a five-minute saxophone solo, a gesture of pure generosity and reverence toward the music's roots. \"I Am I Be,\" featuring the same trio of jazz veterans, showcases Posdnuos at his most introspective and self-referential, a moment of vulnerability embedded in a track of gorgeous, unhurried beauty.\u003c\/p\u003e\n\u003cp\u003eThe album's disillusionment with the music industry runs through everything. \"Eye Patch\" and \"Patti Dooke\" are extended critiques of the mainstream's efforts to control and commodify Black music and push De La toward safer, more accessible sounds. They refused. \"Ego Trippin' (Part Two)\" pokes sharp fun at the gangsta and pimp personas becoming dominant in hip-hop, female MC Shortie No Mas cuts through several tracks with her own distinct energy, and \"Long Island Wildin'\" makes history as the first appearance of Japanese rappers on a major label hip-hop album, featuring Scha Dara Parr and Takagi Kan. Lead single \"Breakadawn,\" sampling both Michael Jackson and Smokey Robinson over thunderous boom-bap drums, became the album's commercial anchor. The album closes with a loose, joyful Biz Markie collaboration called \"Stone Age\" that brings the whole record home in the most characteristically De La Soul way possible.\u003c\/p\u003e\n\u003cp\u003eRolling Stone critic Paul Evans called it more focused than the group's previous albums and more ambitious sonically, writing that it gets to something rap seldom achieves, a truly gorgeous groove. Entertainment Weekly gave it an A. Robert Christgau ranked it fifth best album of 1993. Chris Rock named it the tenth greatest hip-hop record of all time in Rolling Stone. An unduly underrated gem that carries the added weight and poignancy of Trugoy the Dove's passing in February 2023, Buhloone Mindstate stands as part of his lasting legacy and one of the essential documents of hip-hop's golden era.\u003c\/p\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45276570026146,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/DeLaSoul-BuhlooneMindState.jpg?v=1740003541"},{"product_id":"mdou-moctar-tears-of-injustice","title":"Mdou Moctar - Tears Of Injustice","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003eIf Funeral for Justice was the sound of outrage, Tears of Injustice is the sound of grief.\u003c\/p\u003e\n\u003cp\u003eMdou Moctar’s new album is Funeral for Justice completely re-recorded and rearranged for acoustic and traditional instruments. It is an evolution of the band’s critically-adored breakout – the meditative mirror-image to the blistering original.\u003c\/p\u003e\n\u003cp\u003eIn July of 2023, Mdou Moctar was on tour in the United States when the president of Niger, Mohamed Bazoum, was deposed by a military junta who made him prisoner at the presidential residence. They ordered the nation’s borders closed, leaving band members Mdou Moctar, Ahmoudou Madassane, and Souleymane Ibrahim unable to return home to their families. Plans to record a companion to Funeral for Justice – then still many months from release – had been in the works already, but the idea now took on new urgency and gravity. Two days after the tour wrapped in New York City, the quartet began tracking Tears of Injustice at Brooklyn’s Bunker Studio with engineer Seth Manchester.\u003c\/p\u003e\n\u003cp\u003e“We wanted to make a separate version of Funeral for people to hear,” explains the band’s US-based bassist and producer, Mikey Coltun. “We’re always playing around with arrangements at shows. We wanted to prove that we could do it on a record, too. And there’s a whole other side of the band that comes out when we play a stripped down set. It becomes something new.” \u003c\/p\u003e\n\u003cp\u003eThey chose to track Tears sitting together in one room, keeping the session loose, stripped down, and spontaneous. “We didn’t really work on the arrangements prior to going in,” recalls Coltun. “We’d just play, find the feel, and do the song.” Things came together quickly, with principal recording wrapped in only two days. The hypnotic 8-minute take of ‘Imouhar’ is actually two distinct passes through the song performed in quick succession – Moctar didn’t stop playing long enough to split the takes apart. After a month, the band was able to return home to Niger and, when they did, Coltun gave Madassane a Zoom recorder to take along. The rhythm guitarist used it to record a group of Tuaregs performing call-and-response vocals, which were later added into the final mix.\u003c\/p\u003e\n\u003cp\u003eOn Funeral for Justice, anger at the plight of Niger and the Tuareg people is plainly expressed in the music’s volume and velocity.\u003c\/p\u003e\n\u003cp\u003eOn Tears, the songs retain that weight sans amplification. They are steeped in sadness, conveying the grief of a nation locked into a constant churn of poverty, colonial exploitation, and political upheaval. It is Tuareg protest music in raw and essential form. “When Mdou writes the lyrics, he typically writes them with an acoustic guitar. So you’re getting closer to that original moment,” says Coltun. “It retains heaviness, but it’s haunting.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Matador Direct","offers":[{"title":"Vinyl","offer_id":45297478795426,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/MdouMoctar-TearsOfJustice.jpg?v=1740699776"},{"product_id":"inxs-underneath-the-colours","title":"INXS - Underneath The Colours","description":"\u003cp\u003eThe 1981 album from the Australian superstars. From their early days playing small pubs in Australia to their huge international success throughout the '80s, INXS straddled the line between 'the peoples' band' and 'jet-setting rock stars' and succeeded on both levels. With great songs and the Sex-God swagger of vocalist Michael Hutchence, INXS have rightly earned their 'legendary' status in the Rock history books. Underneath the Colours features 10 tracks including 'Stay Young', 'Fair Weather Ahead' and 'Horizons'. \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/OYmx9fRC2ko?si=DiyXQ9czXztmOFy6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Alliance","offers":[{"title":"Vinyl","offer_id":45322530095266,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/INXS-UnderneathTheColours.jpg?v=1741419770"},{"product_id":"coil-constant-shallowness-leads-to-evil","title":"Coil - Constant Shallowness Leads To Evil","description":"\u003cdiv id=\"aec-product-description\"\u003e\n\u003cp\u003eThe turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Weston- super-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group’s most miasmic and mind-expanding creations, on par with Time Machines – a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye.\u003c\/p\u003e\n\u003cp\u003eThighpaulsandra characterizes the album as “an exercise in brutality,” born from a thorny patch of his Serge modular unit that Peter “Sleazy” Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson’s visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment.\u003c\/p\u003e\n\u003cp\u003eAn outlier \/ centerpiece is the 13-minute alien tribalist sea shanty, “I Am The Green Child,” guided by John Balance’s sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, “We're swimming in a sea of occidental vomit.” But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called “Tunnel Of Goats.” Intended to scramble the functionality of a CD player’s shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Secretly","offers":[{"title":"Vinyl","offer_id":45323959107746,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/DAIS186.jpg?v=1741499741"},{"product_id":"scatch-acid-just-keep-eating","title":"Scratch Acid - Just Keep Eating","description":"\u003cp\u003eReissue of Scratch Acid's first (and only) full-length album - Just Keep Eating (1986) - remastered by Bob Weston at Chicago Mastering Service from the original analog tapes. Pressed on 180 gram white 12\" LP and limited to 1000 copies worldwide.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn out of the early 1980's Austin noise punk scene, Scratch Acid deliberately eschewed the loud, fast rules of hardcore as everything they didn't want to be and embraced a weirder, artier sound. \u003c\/span\u003e\u003cspan\u003ePrior to the release of their 1984 debut S\/T EP, someone gave Touch and Go Records owner Corey Rusk a cassette of the recording, and he was instantly a huge fan. Rusk was immediately interested in releasing the EP and contacted the band to express his admiration. At the time, Scratch Acid had already committed to working with Rabid Cat Records, who released the band's debut release S\/T EP (1984) and their only full-length album, Just Keep Eating (1986). \u003c\/span\u003e\u003cspan\u003eThe group quickly developed a riveting performance aesthetic, and, as the debut S\/T EP made it's way around the country via fanzines, college radio, and word-of-mouth, the band mounted short tours to the Midwest and the East Coast. After playing a total of 146 shows, Scratch Acid broke up after the long tour that followed the release of the Berserker EP (Touch and Go Records, 1987). Since that time, the band have had many imitators, and many alternative bands have cited Scratch Acid as one of their influences.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Secretly","offers":[{"title":"Vinyl [White]","offer_id":45325395886242,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/5024\/3490\/files\/ScratchAcid-JustKeepEating.jpg?v=1737414263"},{"product_id":"japanese-breakfast-for-melancholy-brunettes-sad-women","title":"Japanese Breakfast - For Melancholy Brunettes (\u0026 Sad Women)","description":"\u003cp\u003eAfter a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast's fourth album, For Melancholy Brunettes (\u0026amp; sad women), marks the band's first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined it's predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.\u003c\/p\u003e\n\u003cp\u003eFor Melancholy Brunettes follows a transformative period in Zauner's life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. \"I felt seduced by getting what I always wanted,\" she says. \"I was flying too close to the sun, and I realized if I kept going I was going to die.\" The plight of Icarus and other such condemned ones lends For Melancholy Brunettes it's most persistent theme, the perils of desire. Like light dispersed, it's spectral parts take the album's characters through cycles of temptation, transgression and retribution. On \"Orlando in Love\" - a riff on John Cheever's riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo - the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren's call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). \"Honey Water\" plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating it's own demise. Sadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life's essentially tragic character occurs with sensitivity to it's fleeting beauty. Zauner finds space enough inside it for glimmers of hope. 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This transformation mirrors the album’s broader shift toward energy and immediacy, driven by the core band of Wyatt Overson (guitar), Patrick Shelley (drums), and Giulio Xavier Cetto (bass), whose collaboration uncovers new contours of the SPELLLING sound. Cabral still writes and demos in isolation, but presenting the songs for Portrait of My Heart to her bandmates helped her discover their eventual lively, organic forms. So did working with a trio of producers—The Turning Wheel mixing engineer Drew Vandenberg, SZA collaborator Rob Bisel, and Yves Tumor producer Psymun.\u003c\/p\u003e\n\u003cp\u003eKey guest contributions further shape the album. Chaz Bear (Toro y Moi) delivers SPELLLING’s first duet on “Mount Analogue,” Turnstile guitarist Pat McCrory turns Cabral’s original piano demo for “Alibi” into the crunchy, riff-y version that appears on the record, while Zulu’s Braxton Marcellous gives “Drain” its sludgy heft. 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Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves.\u003c\/p\u003e\n\u003cp\u003eMuch of Are We All Angels grapples with Scowl’s newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single “Not Hell, Not Heaven” outright rejects the narratives cast onto them by outsiders. “It’s about feeling victimized and being a victim, but not wanting to identify with being a victim,” explains vocalist Kat Moss. “It’s trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain’t working for me.” The band breaks from a sense of disassociation to seek deeper connections on “Fantasy.” “It’s incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated,” Moss says. “‘Fantasy’ is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard.”\u003c\/p\u003e\n\u003cp\u003eThe album ends in a philosophical place on the closing, titular track, “Are We All Angels,” asking questions like, “Is this all there is?” and ultimately putting it on the listener to decide. “It’s about the personal struggle between good and evil. It doesn’t matter how ‘good’ or ‘bad’ you are, there are systems that will try to rewrite your narrative no matter what you actually do,” explains Moss, noting that punctuation on “Are We All Angels” has been deliberately omitted in an attempt to leave the statement open-ended. Are We All Angels is the highly anticipated follow-up to Scowl’s debut, 2021’s How Flowers Grow, a 16-minute primal scream over punishing riffs. But amidst the pounding chaos, it was the record’s sonic outlier, a cleaner interlude called “Seeds to Sow,” that, true to its name, planted the seed for what was to come for the band. “It kind of laid out this destiny for us, and I feel like now we’re fulfilling that,” says drummer Cole Gilbert. The band continued to expand their sound on 2023’s widely acclaimed Psychic Dance Routine EP, incorporating more pop hooks and favoring gentler singing over heavy screaming, paving the way for what would come next.\u003c\/p\u003e\n\u003cp\u003eScowl’s growth got a huge boost from producer Will Yip (Turnstile, Title Fight, Code Orange, Balance and Composure), who broadened the band’s scope. “Will would say, ‘Everything you have here is correct, but it’s in the wrong place,’” says Gilbert. Moss adds: “Will really helped restructure a lot of the material. Some songs he tore apart to make more space for the really good hooks and choruses.” But even through this more eclectic approach, Scowl loses none of their edge, and still manages to convey the anger and frustration that lies underneath. 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With assistance from their father, Chris Nielson (saxophone\/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, 'Weekend Run' and 'That Life'.\u003c\/p\u003e\n\u003cp\u003eHowever, the golden good times never last forever. Not long after, health issues began to plague his extended family. Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he’d internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, 'I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they’re mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. 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